Exploring Ancient Composite Material

In 2006, between the vibrant landscapes of Morelia, Michoacan, I found myself captivated by an unexpected discovery in an exhibition of religious Catholic images and sculptures. In this collection, one piece stood out to me because of its unique history. This piece was crafted from the resilient 'Corn Stem Paste,' this religious sculpture, now four centuries old, sparked my curiosity.

Finding out about its origins, I learned about its technique which was pioneered by the Purepechas, indigenous to the region. The material used showcased a fusion of strength and lightness. An ingenious method, that allowed the Purepechas to carry their gods through towns during times of war. This revelation guided me on a journey, weaving through the towns of Michoacán, seeking out the custodians of this ancient art form.

Composite materials, ancient knowledge, cana de maiz, religious images, research design that matters, social design

Driven by a desire to unravel the secrets behind this 450-year-old technique, I immersed myself in the local communities. The quest led to a project in which we met people who, born out of a commitment were reviving a forgotten craft. My interest was clear– learn how the 'corn stem paste technique,' could be transformed into handcrafted composite materials or products that could meet the contemporary needs of their community.

Dried and powdered maize stem

Composite materials, ancient knowledge, cana de maiz, religious images, research design that matters, social design

Maize stem paste religious sculpture. Kurikaueri: Purepecha god of the sun, fire and war

Multiple visits to the artisanal community followed, where workshops served as a bridge to collaboration. However, despite my initial enthusiasm, the collaboration faced challenges. It became evident that for such a project to thrive sustainably in the community, a long-term, and steady  commitment was essential. Furthermore I understood how important this technique was for the community and that it’s only purpose was for religious use. This technique belonged to them and I should leave it alone.

“Purheni," a term embodying the essence of being 'Purepecha,' is essential to this technique, reminding us of the profound connection between tradition and innovation. Though this Mexican experience didn't unfold as planned, I am profoundly fascinated by this ancient 'corn stem paste' technique. The stories connected to it continue to resonate in my memory, underscoring the importance of patient efforts in preserving cultural legacies.      

Composite materials, ancient knowledge, cana de maiz, religious images, research design that matters, social design
Composite materials, ancient knowledge, cana de maiz, religious images, research design that matters, social design

Religious sculptures in making process

Composite materials, ancient knowledge, cana de maiz, religious images, research design that matters, social design
Composite materials, ancient knowledge, cana de maiz, religious images, research design that matters, social design

Workshop for the recovery of techniques and craftsmanship of Maize stem paste.

Composite materials, ancient knowledge, cana de maiz, religious images, research design that matters, social design
Composite materials, ancient knowledge, cana de maiz, religious images, research design that matters, social design
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